One of the biggest reasons I moved the studio a couple years ago was for space. The work is getting ever larger, and I didn't have enough room to either set it up at an easel, to get back from it enough to see, or even more problematic, to photograph it. In the space I'm in now I have a white wall- well it was just a plasterboard wall until my son Todd got after it with a big roller and buckets of paint- large enough to install a gallery hanging system. And my old friend, the multi-talented Tim White- helped me figure out how to light the large landscape work I am doing. But the scale is still hard to convey, so I decided to put my studio mate to work.
Grand Prismatic Hot Spring, Yellowstone National Park, oil on canvas, 30 x 120 inches.
With Uly, 120 lbs of good company.
Trespass, 48 x 120 inches, oil on canvas, curio cabinet.
Along Kebler Pass, 48 x 100 inches, oil on canvas, curio cabinet.
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